Then to refine the design, you need to get much more exact with your measurements. Those users can play around freely without things cluttering up their creative workspace. “If you’re in the ideation phase, you’re probably mostly on the canvas, working very quickly,” says Snowden. The team wanted to offer different ways of working with the tool: one for ideation, and one for precision work. Or if you want high-level finessing, you can go into the Properties panel and carry out pixel-precise manipulations. So with an object selected, you’re first shown basic actions such as Duplicate and Delete, and you can click through to slightly more involved manipulations, such as changing the opacity, or stroke width. There are essentially three levels of control.
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"We’re showing you the things you need to see when you need to see them.”Īdobe is working on how to use the iPad camera and Apple Pencil to open up new possibilities (Image credit: Adobe) “From UI perspective we’re really looking at progressively disclosing things,” says Snowden. The solution the team came up with was to display different options based on the context of what the user is doing. One of the challenges of designing for the iPad screen, especially assuming the user hasn’t hooked up a keyboard, is making all the different options and tools available without cluttering up the entire canvas with menus. “Even when you’re using multiple repeats inside each other, we’re still getting this really great performance.” 06. “We’re really focused on making this incredibly performant,” says Snowden. Perhaps the most impressive thing about it was how smooth and responsive these tools were – all edits appeared instantly across all instances of the object.
The presenter showed off a range of different tools for creating and manipulating symmetrical designs, whether that’s mirrored or radial. The demo that got the most enthusiastic audience response during the MAX keynote was on the symmetry functions. Create and manipulate symmetrical designs
“It’s just like you have this amazing font superpower you didn’t have before.” 05. “As a user you’re not thinking about activation and curation, you’re just working the way you’d normally work,” he continues. The aim is to take the pain out of what can be a tedious process.
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You’ll be able to preview and experiment with the fonts, and then click on one to download it from Adobe Fonts from within Illustrator. “We’re not actually downloading 17,000 fonts onto your poor iPad,” smiles Snowden. You’ll be able to choose how you want to search.įear not though, all these fonts aren’t actually on the device. As well as traditional design classifications (serif, script and so on), the tool will also offer mood-based classifications such as ‘fancy’ or ‘clean’ fonts. “Type is crucial for this tool, and getting Adobe Fonts onto the iPad is a big part of that,” says Snowden.īecause sorting through several thousand fonts is a little intimidating to say the least, the team is busy refining different filters and search functions to make it nice and painless. Users will be able to access all 17,000 Adobe Fonts from within the tool, and try them out in their designs instantly. One of the features the team is particularly proud of is Illustrator on the iPad’s type engine. “We don’t want to do the work for you, we just want to get you most of the way there, and you can go in and tweak to your heart’s content,” he adds. The feature is powered by Sensei technology and uses a machine learning algorithm to work. Want to use the photo as is? You can toggle Drawing Guides on and off as required. You can then of course edit the vectors however you need. It just helps you get started much more quickly,” says Snowden. “When Drawing Guides is on, it’ll take a photo, place it on the canvas, auto-trace it, give you the vectors. Magic your scrappy sketches into vectorsĪ feature called Drawing Guides will enable you to take a messy pencil drawing and turn it into clean vector shapes. You'll be able to access your iPad's camera from directly within Illustrator, meaning you can capture and position images in one step. While the demo we saw was just a bit of fun (although it's good to know that if you do need to instantly put a colleague’s face into a cutout of a happy octopus, you can), it looks like it’ll be a handy time-saver in practice too.Ī typical workflow of taking a photo on your phone, sending it to your laptop/computer, downloading, uploading into Illustrator and masking it before you can work with the design is replaced with just a couple of clicks in the new iPad version. Access the camera directly in the toolĪdobe is making the most of the fact that it has a built-in camera to play with for Illustrator on the iPad.
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